jL | In Practice Jeff Jones jL | In Practice Jeff Jones

what i need…

In the classroom - I NEED YOU TO…: A world-class educator completely shifted my paradigm on engaging and correcting student behavior.  Her challenge: stop saying “I need you to…” in rehearsal.  In reality, my needs are irrelevant to the majority of my students, and yet, I frequently catch myself telling a student what I need.  Want more buy-in and engagement in rehearsal?  Find a way to reframe rehearsal expectations and musical improvements that remind

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jL | In Practice Jeff Jones jL | In Practice Jeff Jones

not enough time…

In the classroom: We have a concert Tuesday night, and it isn’t going to be pretty. 😛The kids are doing great, but we’re going in too many different directions - musical pit, solos, chamber ensembles, large group lit, not to mention losing four rehearsal days to the ice storm in North Texas.  I’d like to blame it on the ice, but truth be told

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jL | In Practice Jeff Jones jL | In Practice Jeff Jones

but why?!?

In the classroom: As our group dives deeper into ensemble skills (esp as we remember what we sound like after taking 4 days off last week for a significant ice storm in our area!!), I find it helpful to remind the kids why we ‘warm up’ together.  FWIW, I prefer the term Ensemble Skills over ‘Warm-ups’ or Daily Drill.  It reminds all of us that there is a purpose to doing this practice together.  (My favorite definition of ensemble is ‘together we’ - more on that another time).

But really,

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jL | In Practice Jeff Jones jL | In Practice Jeff Jones

efficiency

A bit of wild winter weather in my part of the world reminds me of the need for efficiency both on the podium and off.  What have I done in the background to accelerate the learning process in the classroom?  Have the weekly expectations been clearly defined?  Am I providing regular opportunities to assess progress outside the rehearsal space so the performers feel motivated to prep before rehearsal?  Am I providing enough notice of what they’re expected to know so that they can prepare?  When I’m on the podium, am I using the most articulate and concise approach, or am I entertaining myself with anecdotes that the performers neither need nor want? Are my scores marked? Is the rehearsal scripted, or

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jL | In Practice Jeff Jones jL | In Practice Jeff Jones

recording in progress

I’m starting recordings again this week.  I find SO much on my recordings that I miss in real life.  They can be hard to listen to in the early part of a concert cycle, but everyone gets better faster when I do it.  If you talk yourself out of recording because ‘its the first day back,’ ‘so & so is in a lesson,’ ‘tomorrow will be a better time,’ congratulations - you’re normal! 😛BUT, don’t wait for a ‘better time.’  Record today & then

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jL | In Practice Jeff Jones jL | In Practice Jeff Jones

EMOTIONAL CONTROL IS A SUPER POWER

This is the week where we’re still trying to hit our groove.  I feel like I still have to constantly remind myself that ‘slow is smooth and smooth is fast’ (made famous by the SEALS).  I want to go FAST in rehearsal, but if I’m doing that at the expense of setting the correct expectations or redirecting performance/behavior that doesn’t fit our culture, I’m actually making it more challenging for the kids to be successful.  Almost daily, I want to ignore the first cracked ensemble start, but

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